Tag Archives: Rainbow

Spiritual Beggars – Sunrise to Sundown

Spiritual Beggars - Sunrise to Sundown

Spiritual Beggars [Sweden]
Sunrise to Sundown
Full Length
InsideOut Music
Stoner Rock/Metal

My love affair with Spiritual Beggars started back in 2010 when ex-Firewind singer Apollo Papathanasio joined the lineup, with myself being a fan of his works while he was in Firewind. While Return to Zero was a simple, rather straightforward hard rock album, Earth Blues saw Spiritual Beggars incorporate some elements of psychedelia into their sound, which left me rather excited when the band announced their ninth full length album earlier this year, Sunrise to Sundown. The beautiful artwork hinted towards an even more psychedelic direction, but is it a hint towards the band’s musical direction?

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Black Trip – Shadowline

Black Trip - Shadowline

Black Trip [Sweden]
Full Length
Heavy Metal

I remember first discovering Black Trip when The Dagger broke out with their debut album, being far more impressed with Goin’ Under than the already excellent The Dagger album. With Goin’ Under bearing such stark similarities to the first two Iron Maiden albums (which I am also a great fan of), finding out that Black Trip were releasing their sophomore album Shadowline got me even more excited than the new Maiden album. Especially so with the disappointing first single of the aforementioned legends… Even then, could the band live up to the expectations that have been placed upon them with their stellar debut?

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Sacri Monti – Sacri Monti

Sacri Monti - Sacri Monti

Sacri Monti [USA]
Sacri Monti
Full Length
Tee Pee Records
Psychedelic/Hard Rock

I’m not sure if it’s me or if there really is an increasing trend of psychedelic, retro rock in recent months. Flipping through the pages of magazines such as Terrorizer, I got introduced to quite a number of these bands that claim to play rock in the old school style. While each of them do indeed sound good, few leave a deep impression on me as San Diego’s Sacri Monti.

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Nocturnalia – Above Below Within

Nocturnalia - Above Below Within

Nocturnalia [Sweden]
Above Below Within
Full Length
Psychedelic Rock

Seems like one can’t go wrong these days with the psychedelic rock style, with my personal favourite bands nowadays also being of this variant of rock and metal music. On first looks, Nocturnalia (or Nocturnal to some) may seem like a black metal band of sorts, with the occult-themed artwork on their sophomore full length album, Above Below Within. But what is contained on Above Below Within is something much more charming, and much more addictive.

[xrr rating=5/5]

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Album Review: The Dagger – The Dagger

The Dagger - The Dagger

The Dagger [Sweden]
The Dagger
Full Length
Century Media Records
Heavy Metal/Hard Rock

We already know the love for the old school with the ever-increasing number of bands emulating the style that Sweden pioneered, particularly in the death metal genre. On the other hand, there is an increasing number of Swedes moving away from their extreme metal roots, what with bands like Enforcer featuring former Tribulation bassist/vocalist Olof, and the rumoured involvement of Repugnant‘s Mary Goore in Ghost. Whatever it is, this trend is certainly one that is welcome for me, and The Dagger is one of the latest addition to this trend, featuring amongst its ranks past and present members of bands such as Dismember and Grave.

Honestly, knowing about the lineup left me thinking that this was another all-star death metal project, but having Sideburn vocalist Jani in the band should have been a dead giveaway. Kicking off with Ahead of You AllThe Dagger instead indulges in some proto-heavy metal/hard rock with elements of early heavy metal. The opening riffs quickly brings one back to the material of early 80s Maiden, but things escalate quickly and gets much more interesting as the track progresses. Guitarist David shows off his knowledge and his enthusiasm in early hard rock and heavy metal, and on the leads of songs like Ahead of You All, one can’t help but be reminded of the works of Ritchie Blackmore in his works with Deep Purple or Rainbow.

In keeping with the rather psychedelic history of rock, the band also makes rather heavy usage of synths and the hammond organ throughout the album, and this works especially well on slower tracks like Ballad of an Old Man, with every element on the track, from the heavy riffs of David (that reminds us of Dio-era Black Sabbath), to the vocal harmonising having that nice old school touch. The lead guitars on the track even remind one of the ballads of Dio-era Rainbow and Black Sabbath, think a mix between Catch the Rainbow and Children of the Sea. Furthermore, Jani’s vocals, along with the groove of the music on tracks like Skygazer even give the band a rather stoner rock feel at times, though there are moments like on 1978 where one is reminded of the light vocals of Papa Emeritus II of Ghost fame.

As one already knows what the band is capable of, considering the aggression that is on other releases they have been on, one wouldn’t expect or imagine the band to be able to produce such mild-sounding music, yet remaining as infectious and addictive as ever. With releases such as The Dagger, and bands like Enforcer and Ghost, one can be assured that there is an old-school heavy metal fanatic in every metalhead, and with quality as such, I honestly have no qualms at all with this increasing tendency towards old school heavy metal.

[xrr rating=5/5]

The Dagger on the internet:
Century Media Records

What’s Spinning? (July 2010, Week 2)

Every week we will have our editors and some of our guest writers tell us about what they have been listening to and recommend it to our readers.

Band: Austere
Album: To Lay Like Old Ashes
Genre: Black Metal
Year: 2009

Hailing from New South Wales, Australia, Austere dishes out a brooding sense of frenzied metal deeply entrenched with themes of desolation and gloom. Coupled with indiscernible groans, a thick wall of guitars, and rapid drum work, Austere’s music can be likened to an invisible force encroaching into your proximity, exerting its melancholy down your throat, stifling the remaining positivity within and replacing it with indeed, a sense of stoic inhumane austerity. Enough of descriptive bullshit from me, give this a try, this band regales the tired genre of atmospheric depressive black metal. Unfortunately, the band has turned their melancholy inwards and discontinued their effort, almost like a self-fulfilling prophecy. Haha! Signature tracks include – “This Dreadful Emptiness” and “To Lay Like Old Ashes”. – LingNemesis

Band: Rainbow
Album: Rising
Genre: Heavy Metal/Hard Rock
Year: 1976

In light of the recent “birthday” of the legendary Ronnie James Dio (RIP) which fell on the 10th of July, this editor would like to recommend one of Dio’s first classic heavy metal album, Rising. Along with guitar legend Ritchie Blackmore, this album heralded the coming of age of Dio as a powerhouse heavy metal vocalist, as well as cementing Blackmore’s stature as one of the most influential guitarists to in heavy metal. The songwriting and compositions of this album is top notch, and Stargazer is definitely a song to remember for a lifetime. – JJ Yeo

Band: Enthroned
Album: Pentagrammaton
Genre: Black Metal
Year: 2010

Pentagrammaton marks the second album to feature Nornagest on vocals and guitars. Despite having some line-up changes within the band line-up, Enthroned still puts up their very best on this album, having an ambient intro track (In Missi Solemniblvs) at the beginning, giving the album a good start. This is another uncompromising album from the Belgium horde, Enthroned. Those people who are into the new lineup might enjoy this album, but to those who prefer Lord Sabathan’s era it might be a bit experimental for you. – Clarence

Band: Demilich
Album: Nespithe
Genre: Death Metal
Year: 1993

If you’re looking for death metal that is at the same time brutal, crushing yet progressive and technical, Demilich is for you. The odd time signatures that the band tends to utilise are sure to catch the attention and captivate the technical metal fan. However, the guttural growls of Antti Boman which are so impossibly deep (and the band claims that no vocal effects were used) takes a little getting used to, and it still wonders me how one can ever sound this deep. The unique music, coupled with extremely long song titles such as “The Planet That Once Used To Absorb Flesh In Order To Achieve Divinity and Immortality (Suffocated To The Flesh That It Desired…)” and encrypted ones like “Erecshyrinol”, it is sure to captivate. Recommended if you like brutal/technical death metal bands like Gorguts. Oh did I mention, this album and their demos and promos are available for download on their website? – Hong Rui

©2010 Heavy Metal Tribune